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Based in Southend-on-Sea, Essex, the Paramounts, led by Gary Brooker and Robin Trower and including Chris Copping and B. J. Wilson, scored a moderate British success in 1964, with their version of Jerry Leiber and Mike Stoller's "Poison Ivy", which reached number 35 in the UK Singles Chart.
Unable to generate any follow-up success, the group disbanded in 1966.
The Paramounts were signed to EMI UK for their releases; until one day before Procol Harum linked with EMI UK again, they were called the Pinewoods.
A last-minute offer from Chris Blackwell's fledgling Island Records label was given the thumbs down by Brooker and band.
At Olympic Studios, with session drummer (and non-Paramount) Bill Eyden, producer Denny Cordell, and sound engineer Keith Grant, the group recorded "A Whiter Shade of Pale" and it was released on 12 May 1967.
With a structure reminiscent of Baroque music, a countermelody based on J.S. Bach's Orchestral Suite N° 3 in D Major by Fisher's Hammond organ, Brooker's soulful vocals and Reid's mysterious lyrics, "A Whiter Shade of Pale" reached No. 1 on the UK Singles Chart and the Canadian RPM Magazine chart.
It did almost as well in the United States, reaching No. 5.
In Australia, it was No. 1 for many weeks, setting a record of 8 weeks in Melbourne.
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Procol Harum - Desktop Nexus EntertainmentDownload free wallpapers and background images: Procol Harum. Desktop Nexus Entertainment background ID 1893449. Based in Southend-on-Sea, Essex, the Paramounts, led by Gary Brooker and Robin Trower and including Chris Copping and B. J. Wilson, scored a moderate British success in 1964, with their version of Jerry Leiber and Mike Stoller's "Poison Ivy", which reached number 35 in the UK Singles Chart.
Unable to generate any follow-up success, the group disbanded in 1966.
The Paramounts were signed to EMI UK for their releases; until one day before Procol Harum linked with EMI UK again, they were called the Pinewoods.
A last-minute offer from Chris Blackwell's fledgling Island Records label was given the thumbs down by Brooker and band.
At Olympic Studios, with session drummer (and non-Paramount) Bill Eyden, producer Denny Cordell, and sound engineer Keith Grant, the group recorded "A Whiter Shade of Pale" and it was released on 12 May 1967.
With a structure reminiscent of Baroque music, a countermelody based on J.S. Bach's Orchestral Suite N° 3 in D Major by Fisher's Hammond organ, Brooker's soulful vocals and Reid's mysterious lyrics, "A Whiter Shade of Pale" reached No. 1 on the UK Singles Chart and the Canadian RPM Magazine chart.
It did almost as well in the United States, reaching No. 5.
In Australia, it was No. 1 for many weeks, setting a record of 8 weeks in Melbourne.
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Uploaded By: woody2858
Date Uploaded: December 05, 2014
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Category: Music
Thanks again for all the research and information on these groups.